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Potomitan

In its own language: poto mitan

from Haitian Creole, 'central pole': French poteau, 'post', plus mitan, an old word for 'half'

The painted centre post of a Haitian Vodou temple, said to be the spirits' way down

Living

The potomitan is the central wooden post of a Haitian Vodou temple, standing in the peristyle, the sacred space at the heart of the hounfour. Followers hold that the loa, the religion's spirits, travel down it to take possession of worshippers, and that the post itself stands for Papa Legba.

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  • The post stands at the centre of the peristyle, the sacred space inside a Vodou temple
  • It is usually the whole trunk of a palm tree, set in a masonry pedestal
  • Painted designs often show two intertwined snakes, Damballa and Ayida Weddo
  • Offerings are placed at its foot, most often before ceremonies begin
  • Worshippers hold that the loa come down the post to possess the faithful

What it is

A potomitan is a decorated post that stands at the middle of a Haitian Vodou temple. It occupies the peristyle, the sacred area at the centre of the hounfour, and is normally the entire trunk of a palm tree, though a growing tree is occasionally used instead. Practitioners hold that the loa, the spirits of the religion, come down through this post and enter the bodies of worshippers for a while. As a whole, the post is taken to represent Papa Legba, the gatekeeper and messenger among the loa, whose intercession is held to make contact with the divine possible at all.

How it is done

The post is a fixture of the temple rather than something performed. Offerings are made to consecrate it and to honour the spirit it stands for. These are placed either at its foot or at the base of the masonry pedestal, and they are made regularly, most notably just before the ceremonies proper begin, so that the post stays a fitting channel for divine power. In possession, the loa are believed to descend by this route and to occupy the faithful for a time.

Tools and materials

The usual material is a whole palm trunk. Its foot sits in a masonry pedestal, and its upper end is joined to the roof of the temple, so the post spans the building from floor to ceiling. Brightly coloured designs are painted on it. The commonest is a pair of snakes wound around each other, standing for Damballa and Ayida Weddo, the first male and female divine couple, who in Haitian cosmogony hold up the sky so that it cannot crumble and fall.

Potomitan, drawn and placed

Emblem With the eye shape. Drawn from this page, not a photograph.
  1. Living
  2. Revived
  3. Fading
  4. Historical
  5. Legendary
  6. Performed
Standing: Living Practised today by communities who hold it as their own. This says whether people still do it, not whether it works.
An eye: in this guide it stands for protection against envy and the evil eye, a belief found from the Mediterranean to South Asia.
Lineage
Haitian Vodou
Timing
offerings are made regularly, and especially before ceremonies
Where it sits The tradition it belongs to, and when it is done.

What it is for

The post is meant to be a conduit. Through it, practitioners hold, divine power passes between the spirits and the gathered faithful, and possession becomes possible. Because the whole structure is identified with Papa Legba, the messenger who guards the way, contact with the divine realm is believed to depend on him. Offerings at the post are made to keep that channel open and clean, and to give the spirit his due before a ceremony begins.

Peoples and places

The potomitan belongs to Haitian Vodou and is found in Haiti, inside the hounfour, the temple building, and specifically in its peristyle. In the wider study of religion it is described as a Haitian expression of two related ideas: the axis mundi, the imagined centre or pivot of the world, and the world tree. The names given to it in Haitian Creole vary in spelling, and outside Haiti it is usually written potomitan.

At a glance: who, where and when

Peoples

What people believe

Behind the post lies a world of loa, the spirits of Haitian Vodou, who are held to cross between their own realm and ours. Damballa and Ayida Weddo, the intertwined serpents of the painted design, are said to bear up the sky and keep it from collapsing onto the earth. Papa Legba, whom the post as a whole represents, is the gatekeeper and messenger, and without his mediation communication with the divine is held to be impossible. Possession is the moment when a loa takes a worshipper's body.

Compare and confuse

The potomitan is described as a Haitian form of the axis mundi and, more particularly, of the world tree, ideas found in many religious systems. Its name appears in English sources in several spellings, including poteau-mitan, poto mitan and poto-mitan, all rendering the Haitian Creole phrase for a central pole. It belongs to the hounfour, the Vodou temple, and is not the same thing as the peristyle, the sacred space it stands in.

Questions people ask about Potomitan

What is a potomitan?

It is the central post of a Haitian Vodou temple, standing in the peristyle. Usually a palm trunk set in a masonry base and rising to the roof, it is believed to be the way the loa descend to possess worshippers, and it stands for Papa Legba.

Where does it come from?

It belongs to Haitian Vodou in Haiti. The word is Haitian Creole for a central pole, formed from the French poteau, a post, and mitan, an old term for half. English texts also spell it poteau-mitan or poto mitan.

What is painted on it?

Brightly coloured designs, most often two snakes twisted together. They stand for Damballa and Ayida Weddo, the first divine couple, male and female, who are said in Haitian cosmogony to hold up the sky so it cannot fall.

Which spirit does the post represent?

Taken as a whole, it represents Papa Legba, the gatekeeper and messenger of the loa. Practitioners hold that without his intercession there could be no communication with the divine realm, which is why offerings are made at the post.

Why are offerings made at its base?

They consecrate the structure and honour the spirit it stands for, and they are made regularly, especially before ceremonies proper. The aim is to keep the post a fit channel for divine power passing between the loa and the faithful.

Good reading and sources

Where this page comes from

The facts on this page come from the Wikipedia article "Potomitan", written by its contributors and used under the CC BY-SA 4.0 licence, and from its Wikidata record (CC0). EveryJaadu rewrote the text in its own words, with AI assistance, and compares every page with the article to make sure no passage is copied. It may be reused under the same CC BY-SA 4.0 licence with a link back.

It may contain mistakes. Names and customs differ from one community to the next, and some knowledge is closed to outsiders and left out here. This page describes belief and practice. It does not say that any of it works, it is not a how-to, and it is not medical advice. If something is wrong, tell us. Last refreshed 2026-10-18.

Photo credits on this page

The small pictures above come from Wikimedia Commons under free licences. Some are cropped to fit.

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