Aoandon
In its own language: 青行灯
from ao, blue, and andon, a lamp with a paper shade
A blue-skinned yōkai said to arrive when the hundredth ghost story ends
A yōkai from Japan, drawn by Toriyama Sekien and described as a blue-skinned woman with horns and sharp teeth. It is held to be the spirit that shows up once the hundredth tale in a ghost-story gathering has been told, taking its name from the blue paper lamps used at such meetings.
- Drawn by Toriyama Sekien for his Konjaku Hyakki Shūi
- Said to appear when the hundredth ghost story of a gathering is finished
- Named for the blue-paper andon lamps that lit these story nights
- Shown as a blue-skinned woman with two horns and sharp teeth
- A sea worm, Polycirrus aoandon, is named after it
What it is
Aoandon is a yōkai, one of the many strange beings gathered in Japanese picture books of the supernatural. It is shown as a woman whose skin is blue, with a pair of horns rising from her brow and a mouth of sharp teeth. The creature sits in the world of story rather than in any working rite: it is said to be the spirit that comes when a company has finished telling one hundred ghost stories. Its name points to the lamp that lit those gatherings, a paper-shaded light in blue. Toriyama Sekien drew it for his Konjaku Hyakki Shūi, an illustrated collection of apparitions.
Where it comes from
The figure comes from the brush of Toriyama Sekien, who placed it in his Konjaku Hyakki Shūi. The picture was meant to give a shape to the spirit believed to arrive at the close of Hyakumonogatari Kaidankai, the meeting where a hundred tales are told in one sitting. That setting supplied the name. Such meetings were often lit by candles set inside andon, lamps whose flame burns behind a paper shade, and the paper used was blue, chosen to make the room feel eerie. So ao, blue, was joined to andon.
How it is done
The custom behind the creature is a storytelling game. A group gathers for Hyakumonogatari Kaidankai, the hundred-story meeting, and each person takes a turn with a tale of the dead. One hundred stories are told in all. When the hundredth has been finished, the spirit is said to appear. The room is lit with the mood in mind: candles are set in lamps shaded with blue paper. The colour does the work of atmosphere, and the final tale is the moment the creature belongs to.
Tools and materials
The chief object is the andon, a lamp built as a frame with paper wrapped around it, so the flame inside shows as a soft glow rather than a bare point of light. At these meetings the paper was blue and candles were placed within. The blue shade gave the room its colour and its uneasy feel, and the creature carries the lamp in its name. The picture adds the being's own marks: a blue face, two horns at the brow, sharp teeth.
Aoandon, drawn and placed
- Living
- Revived
- Fading
- Historical
- Legendary
- Performed
- Lineage
- Japanese yōkai
- Timing
- at the close of a night of one hundred ghost stories
What people believe
Behind the figure sits an idea from Japanese ghost-story custom: that a night of tales about the dead can call something up. When the hundredth story ends, a visitor is said to arrive, and Aoandon is the shape given to that visitor. Blue light and the count of one hundred are the fixed parts of the setting. The creature stands where a parlour amusement meets the belief that talk of the dead can draw them near.
Compare and confuse
English readers meet the name in two spellings, Aoandon and Aoandō, and in Japanese it is written 青行灯 or 青行燈. The second element is the andon, the paper-shaded lamp, so the creature's name is also the ordinary phrase for a blue lamp. The being is tied to Hyakumonogatari Kaidankai, the hundred-tale gathering, and to the blue lighting used there.
Today
The creature keeps a life in games and in taxonomy. Onmyōji, a game played on phones, lists it among its shikigami, the spirit helpers of that series, and gives it a fondness for stories. A marine worm, Polycirrus aoandon, borrows the yōkai's name, and the fit is neat: the worm is bioluminescent, giving off its own light. The 2025 release Assassin's Creed Shadows also uses the being, as an optional opponent in a quest titled "The Yokai".
Questions people ask about Aoandon
What is an Aoandon?
A yōkai, a strange being in Japanese story tradition. It is pictured as a blue-skinned woman with two horns and sharp teeth, and is held to be the spirit that turns up when a hundred ghost stories have all been told.
Where does it come from?
From Toriyama Sekien's illustrated collection Konjaku Hyakki Shūi. Sekien drew it to stand for the spirit said to arrive at the end of Hyakumonogatari Kaidankai, and its name comes from the blue paper lamps used at those meetings.
Why is it called blue andon?
An andon is a lamp with paper around the flame. Gatherings for a hundred ghost stories were often lit by candles in blue-paper lamps, a choice made for an eerie mood, so the creature was named ao, blue, plus andon.
What does it look like?
In Sekien's picture it is a woman whose skin is blue, with a pair of horns rising from her brow and a mouth full of sharp teeth.
Does it appear in modern media?
Yes. It features in the phone game Onmyōji as a shikigami with a taste for stories, gives its name to the marine worm Polycirrus aoandon, and appears in the 2025 game Assassin's Creed Shadows as an optional opponent.
Good reading and sources
The facts on this page come from the Wikipedia article "Aoandon", written by its contributors and used under the CC BY-SA 4.0 licence, and from its Wikidata record (CC0). EveryJaadu rewrote the text in its own words, with AI assistance, and compares every page with the article to make sure no passage is copied. It may be reused under the same CC BY-SA 4.0 licence with a link back.
It may contain mistakes. Names and customs differ from one community to the next, and some knowledge is closed to outsiders and left out here. This page describes belief and practice. It does not say that any of it works, it is not a how-to, and it is not medical advice. If something is wrong, tell us. Last refreshed 2026-10-21.
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